Very useful as a backlight. Dramatic specials and firelight. (Transmission = 26%).
Gel - Roscolux
Sheet Size: 20"x24"
Roll Size: 24"x25'
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Provides a romantic sunlight through windows for evening effects. (Transmission = 32%).
Very deep amber. Red with a touch of blue. (Transmission = 22%).
Good for firelight or special effects. Use when red with higher yellow content is needed. (Transmission = 14%).
Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights. (Transmission = 4%).
Very pale warm white. Perfect for enhancing the HPL lamp in a Source Four. (Transmission = 88%).
Heavier Amber-pink tint. Useful to create warm sunlight. (Transmission = 55%).
A peach amber. More yellow than 305. (Transmission = 79%).
A pale blush amber for skin tones and backlight. (Transmission = 75%).
Excellent for general area washes. Gives overall warming effect to skin tones. (Transmission = 44%).
A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects. (Transmission = 82%).
Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin. (Transmission = 85%).
Vibrant Yellow. More red than 312. Less green than all other yellows. (Transmission = 76%).
A pale reddish gold, good for creating sunrise or sunset, or simulating incandescent light. A flattering naturalistic backlight color. Can be used for warm area lighting. (Transmission = 58%).
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color. (Transmission = 51%).
A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color. Good for warm tonal effects. (Transmission = 52%).
An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day. (Transmission = 39%).
Vibrant orange-red. Helps red and orange scenery pop. (Transmission = 31%).
Toasted red-amber color. Useful in re-creating setting sun or as a dramatic cyc. (Transmission = 18%).
Warmer and lighter than 31. Good for fair skin tones and to emphasize romance. (Transmission = 68%).
A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for a splash of sunset color. (Transmission = 38%).
A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33. (Transmission = 71%).
A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise. (Transmission = 55%).
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting. (Transmission = 15%).
Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise, will create a dynamic, sculptured effect. (Transmission = 16%).
A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon effects with fluorescent tubes. (Transmission = 33%).
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow spot and dance applications as a modeling color. (Transmission = 21%).
Powerful magenta-purple. Good effects filter for dance. (Transmission = 6%).
A dusky purple. Good for simulating purple neon or old night club atmosphere. (Transmission = 14%).
A medium fuchsia good for special effects. An interesting backlight or accent color. (Transmission = 11%).
Useful for bright musicals. Creates a happy atmosphere. (Transmission = 45%).
Same intensity as 55 with more red content. (Transmission = 29%).
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Transmission = 20%).
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting. (Transmission = 27%).
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds. (Transmission = 5%).
A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and musical group lighting. (Transmission = 5%).
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash. (Transmission = 9%).
The slightest blue tint. Excellent for eliminating amber shift when lights are running low on a dimmer. Good for cool area light. (Transmission = 52%).
A sharp cold blue that stays clean when dimmed. (Transmission = 18%).
A soft clean blue. Good choice for cool area lighting. Can also be used to shift the amber of lamps running at low dimmer levels. (Transmission = 32%).
A pale blue-green color. Can be used for area lighting. A soft backlight color. (Transmission = 52%).
A clean light red blue. Creates naturalistic daylight fill color. Good cool area light. (Transmission = 32%).